After reading Shirley Jackson's novels The Haunting of Hill House and We Have Always Lived in the Castle last fall, I wanted to learn more about Jackson herself. Hence, Private Demons: The Life of Shirley Jackson by Judy Oppenheimer.
As far as I can tell, this is the only book covering Jackson's life, originally published in 1988. While interesting, and at times enlightening (not surprisingly, Jackson had a strong interest in magic and the occult; unknown to me was the difficult relationship she had with her mother, and the nearly stereotypical marriage she had to Stanley Hyman, who adored her, but just slightly more than most females within his gaze). Difficult childhood, dysfunctional marriage--this is nothing new in the literary world.
(Although one has to rear back with astonishment when reading a particularly venomous letter Jackson's mother wrote to her late in Jackson's life, after seeing her daughter's photo in Time magazine: "Why oh why do you allow the magazines to print such awful pictures of you?...I would sue them for libel. Your children love you for your achievements but they also want you to be worth looking at too. If you don't care what you look like or care about your appearance why don't you do something about it for your children's sake and your husband's. I do not know if the book review is good or not--and I have been so sad all morning about what you have allowed yourself to look like.")
Still, there are things in the book that bothered me. I would have loved more in-depth analyses of Jackson's writing; some of the bigger pieces are covered, like The Lottery and The Haunting of Hill House. Still, given Jackson's history, more attention would have been merited.
Even more troubling is that Oppenheimer had access to Jackson's children and several of her childhood and adult friends for interviews. That's great, but she often reports their quotes as established facts. Certainly someone looking back many years at a now-dead friend who has become famous may have some very hazy memories, or interpretations of those memories, and they should be taken with a large grain of salt, but Oppenheimer seems to trust them completely.
While acknowledging the Jackson's and Hyman's household was chaotic and far from the norm of the 1950s, Oppenheimer surprisingly doesn't make much of an effort to show how Jackson's parenting affected the four offspring. They were all adults when interviewed; surely that would have been an interesting topic for this bio.
I guess what it comes down to is: if you're curious about Jackson's life, this isn't a bad read. I just don't think it's up to a rigorous set of biographic standards.